The Crown (TV series)

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The Crown is a historical drama television series, created and principally written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix. The show is a biographical story about the reign of Queen Elizabeth II of the United Kingdom. The first season covers the period from her marriage to Philip, Duke of Edinburgh in 1947 to the disintegration of her sister Princess Margaret's engagement to Peter Townsend in 1955. The second season covers the period from the Suez Crisis in 1956 through the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 to the birth of Prince Edward in 1964. The third season will continue from 1964, covering Harold Wilson's two terms as the Prime Minister until 1976, while the fourth will see Margaret Thatcher's premiership and a focus on Diana, Princess of Wales.

The Crown evolved out of Morgan's 2006 film The Queen and 2013 stage play The Audience. The series is intended to last 60 episodes over six seasons, with 10 one-hour episodes per season, covering Elizabeth's life from her younger years to her reign, and with new actors being cast every two seasons. Claire Foy portrays the Queen in the first two seasons, alongside Matt Smith as Prince Philip, and Vanessa Kirby as Princess Margaret. For the third and fourth seasons, Olivia Colman will take over as the Queen, Tobias Menzies as Prince Philip, and Helena Bonham Carter as Princess Margaret. Filming for the series takes place at Elstree Studios in Borehamwood, Hertfordshire, with location shooting throughout the United Kingdom and internationally.

The first season was released on Netflix on November 4, 2016, with the second released on December 8, 2017. The series has been renewed for a third and fourth season, and was praised for its direction, writing, cinematography, production values, the relatively accurate historical account of Queen Elizabeth's reign, and particularly for the first season performances of Foy in the leading role and John Lithgow as Winston Churchill. It has received several accolades, including winning Best Actress and Best Actor at the 23rd Screen Actors Guild Awards for Foy and Lithgow, respectively, and receiving thirteen nominations for the 69th Primetime Emmy Awards, including Outstanding Drama Series.

Video The Crown (TV series)

Premise

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 through to the present day. The first season, in which Claire Foy portrays the Queen in the early part of her reign, depicts events up to 1955, with Winston Churchill resigning as Prime Minister and the Queen's sister Princess Margaret deciding not to marry Peter Townsend. The second season covers the Suez Crisis in 1956, the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 following the Profumo affair political scandal, and the birth of Prince Edward in 1964.

Beginning with season three, Olivia Colman will portray the Queen. Season three will cover Harold Wilson's time as Prime Minister, and will also include Princess Margaret's five-year affair with baronet and gardening expert Roddy Llewellyn that leads to the Princess's divorce from Antony Armstrong-Jones in 1978. It will also introduce Camilla Parker Bowles and Lady Diana Spencer, who will be a focus of the fourth season (set during Margaret Thatcher's premiership).

Maps The Crown (TV series)

Cast

Main

• Claire Foy as Princess Elizabeth and later Queen Elizabeth II.
• Matt Smith as Philip, Duke of Edinburgh and later Prince Philip, Duke of Edinburgh, Elizabeth's husband
• Vanessa Kirby as Princess Margaret, Elizabeth's younger sister.
• Eileen Atkins as Queen Mary, Elizabeth's grandmother (season 1)
• Jeremy Northam as Anthony Eden, Churchill's Foreign Secretary, who succeeds him as Prime Minister
• Victoria Hamilton as Queen Elizabeth, George VI's wife and Elizabeth's mother, known as Queen Elizabeth The Queen Mother during her daughter's reign
• Ben Miles as Group Captain Peter Townsend, George VI's equerry, who hopes to marry Princess Margaret
• Greg Wise as Louis Mountbatten, 1st Earl Mountbatten of Burma, Philip's ambitious uncle and great-grandson of Queen Victoria
• Jared Harris as King George VI, Elizabeth's father, known to his family as Bertie
• John Lithgow as Winston Churchill, the Queen's first Prime Minister
• Alex Jennings as the Duke of Windsor, formerly King Edward VIII, who abdicated in favour of his younger brother Bertie to marry Wallis Simpson; known to his family as David
• Lia Williams as Wallis, Duchess of Windsor, Edward's American wife
• Anton Lesser as Harold Macmillan, who follows Anthony Eden as Prime Minister (season 2)
• Matthew Goode as Antony Armstrong-Jones, known as Tony, a society photographer who marries Princess Margaret (season 2)

Featured

The below actors are credited in the opening titles of single episodes in which they play a significant role.

• Stephen Dillane as Graham Sutherland, a noted artist who paints a portrait of the aging Churchill (season 1)
• Gemma Whelan as Patricia Campbell, a secretary who works with Altrincham and types up his editorial (season 2)
• John Heffernan as Lord Altrincham, a writer who penned a scathing criticism of the Queen (season 2)
• Paul Sparks as Billy Graham, a prominent American minister with whom Elizabeth consults (season 2)
• Michael C. Hall as John F. Kennedy, the 35th President of the United States who visits the Queen (season 2)
• Jodi Balfour as Jacqueline Kennedy, the First Lady of the United States (season 2)
• Burghart Klaussner as Dr. Kurt Hahn, the founder of Gordonstoun, where Philip and Charles went to school (season 2)
• Finn Elliot as school-aged Prince Philip (season 2)
• Julian Baring as school-aged Prince Charles (season 2)

Recurring

Season 1

Season 2

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Episodes

Season 1 (2016)

Season 2 (2017)

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Production

Development

Peter Morgan, who wrote the 2006 film The Queen and the 2013 stage play The Audience, is the main scriptwriter for The Crown. The directors of the television series who were also involved in the stage production are Stephen Daldry, Philip Martin, Julian Jarrold, and Benjamin Caron. The first 10-part season was the most expensive drama produced by Netflix and Left Bank Pictures to date, costing at least £100 million. A second season was commissioned, with the series intended to span 60 episodes over six seasons. By October 2017, "early production" had begun on an anticipated third and fourth season, and by the following January, Netflix confirmed the series had been renewed for a third and fourth season.

Casting

By November 2014, Claire Foy had entered negotiations to portray Queen Elizabeth II in the series. The following May, Vanessa Kirby was in negotiations to portray Princess Margaret. In June 2015, John Lithgow was cast as Winston Churchill, and Matt Smith was cast as Prince Phillip; Foy was confirmed as Queen Elizabeth II. Also starring in the first season were Victoria Hamilton, Jared Harris, and Eileen Atkins.

The Left Bank producers noted that Smith was paid more than Foy in the first two seasons, partially because of his Doctor Who fame. This information brought up discussion on the gender pay gap, including the creation of a petition asking Smith to donate the difference between his and Foy's salary to the Time's Up Legal Defense Fund. Left Bank later issued an apology to Foy and Smith for putting them "at the center of a media storm... through no fault of their own." Left Bank also clarified that they "are responsible for budgets and salaries; the actors are not aware of who gets what, and cannot be held personally responsible for the pay of their colleagues." They added that they support "the drive for gender equality in film and TV and [were] eager to talk to the British Time's Up campaign and [were] already speaking to Era 50:50, a group campaigning for gender equality on screen and stage." Suzanne Mackie, Left Bank's creative director, did note that moving forward, no other actor would be paid more than the actress portraying the Queen. Regarding the controversy, Foy was "not [surprised about the interest in the story] in the sense that it was a female-led drama. I'm not surprised that people saw [the story] and went, 'Oh, that's a bit odd.' But I know that Matt feels the same that I do, that it's odd to find yourself at the center [of a story] that you didn't particularly ask for."

The producers will recast some roles with older actors every two seasons, as the timeline moves forward and the characters age. In October 2017, Olivia Colman was cast as Queen Elizabeth II for the third and fourth seasons. By January 2018, Helena Bonham Carter and Paul Bettany were in negotiations to portray Princess Margaret and Prince Philip, respectively, for these seasons. However, by the end of the month Bettany was forced to drop out due to the time commitment required. By the end of March 2018, Tobias Menzies was cast as Prince Phillip for the third and fourth seasons, and Carter was confirmed to have been cast.

Filming

An estimated 25% of the first season was filmed at Elstree Studios in Borehamwood, Hertfordshire, with the remainder filmed on location, altogether taking 152 days. Sets for private quarters, the interior of a private jet, the cabinet room, and the exterior of 10 Downing Street, were built at Elstree Studios, while Lancaster House, Wrotham Park and Wilton House were used to double as Buckingham Palace. Ely Cathedral stood in for Westminster Abbey, while locations in South Africa doubled as Kenya. Additional locations in the UK included Eltham Palace, the Royal Naval College, Goldsmiths' Hall, Shoreham Airport, New Slains Castle, Balmoral Castle, Cruden Bay, Lyceum Theatre, Loseley Park, Hatfield House, The Historic Dockyard Chatham, Southwark Cathedral, Ardverikie House, Englefield House, and the Glenfeshie Estate. Filming on the second season began in early October 2016. Each episode of the first two seasons would shoot for about 22 days, with each costing about GB£5 million (US$7 million) to produce. The third season is expected to begin filming in July 2018.

Historical accuracy

The show has been interpreted as perpetuating the idea that the Queen and Prime Minister Churchill had forced Princess Margaret to give up her plan to marry Group Captain Peter Townsend. In the series the Queen is seen telling her sister that if she marries Townsend she would no longer be a member of the family because of the Royal Marriages Act 1772. Yet there is clear evidence that in reality efforts had been made to prevent any further delay of the marriage, which would have allowed Princess Margaret to keep her royal title and her civil list allowance, stay in the country and even continue with her public duties.

The re-enactment of the removal of the King's cancerous lung, originally performed by Sir Clement Price Thomas, was researched and planned by Pankaj Chandak, specialist in transplant surgery at Guy's and St Thomas' Hospital, London. Chandak and his surgical team also became part of the real scene. The surgical model of King George VI was donated to the Gordon Museum of Pathology for use as a teaching aid.

Peggy Noonan of The Wall Street Journal highlighted the historical inaccuracy of the series, and argued for "more truth in art and entertainment".

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Release

The series's first two episodes were released theatrically in the United Kingdom on November 1, 2016. The first season was released worldwide in its entirety on November 4, 2016. The second season was released on December 8, 2017.

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Reception

Critical response

Season 1

The review aggregator website Rotten Tomatoes reported 90% approval for the first season based on 51 reviews, with an average rating of 8.7/10. Its critical consensus reads, "Powerful performances and lavish cinematography make The Crown a top-notch production worthy of its grand subject." On Metacritic, the series holds a score of 81 out of 100, based on 29 critics, indicating "universal acclaim".

The Guardian's TV critic Lucy Mangan praised the series and wrote that "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far." Writing for The Daily Telegraph, Ben Lawrence said, "The Crown is a PR triumph for the Windsors, a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one." Chief television critic Jaci Stephen of The Mail on Sunday lauded the series and said, "Faultless is the only word for The Crown with its exquisite writing and magnificent acting." Writing for The Boston Globe, Matthew Gilbert also praised the series saying, "The show, created and written by Peter Morgan of The Queen and Frost/Nixon is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance." Vicki Hyman of The Star-Ledger said, "A sumptuous, stately but never dull look inside the life of Queen Elizabeth". The A.V. Club's Gwen Ihnat said, "The Crown easily rises far above, adding a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task."

The Wall Street Journal critic Dorothy Rabinowitz said, "We're clearly meant to see the duke [of Windsor] as a wastrel with heart. It doesn't quite come off--Mr. Jennings is far too convincing as an empty-hearted scoundrel--but it's a minor flaw in this superbly sustained work." Television critic Robert Lloyd writing for the Los Angeles Times said, "As television it's excellent--beautifully mounted, movingly played and only mildly melodramatic." Hank Stuever of The Washington Post also reviewed the series positively: "Pieces of The Crown are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like The Queen and another Morgan achievement, the play and film versions of Frost/Nixon." Neil Genzlinger of The New York Times said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups.". The Hollywood Reporter's Daniel Fienberg said, "The first chapter of Peter Morgan's chronicle of the rule of Queen Elizabeth II remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional heft in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette." Other publications such as USA Today, Indiewire, The Atlantic, CNN and Variety all reviewed the series positively.

Some were more critical of the show. In a review for Time magazine, Daniel D'Addario wrote that it "will be compared to Downton Abbey, but that .. was able to invent ahistorical or at least unexpected notes. Foy struggles mightily, but she's given little: Avoiding her children, her husband, and her subjects in favor of meetings at which she either acquiesces to her advisors or puts off acquiescing until fifteen minutes later, The Crown's Elizabeth is more than unknowable. She's a bore". Vulture's Matt Zoller Seitz concluded, "The Crown never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England's innermost circle." Verne Gay of Newsday said, "Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same." Slate magazine's Willa Paskin, commented: "It will scratch your period drama itch--and leave you itchy for action." Writing for The Mail on Sunday, Hugo Vickers, an English biographer of the Royal Family, argued that "while [The Crown] certainly holds the attention, it is marred by a series of sensationalist errors and some quite remarkable lapses into vulgarity."

Season 2

Rotten Tomatoes reported a 93% approval rating for the second season based on 69 reviews, with an average rating of 8.45 /10. The website's critical consensus read "The Crown continues its reign with a self-assured sophomore season that indulges in high drama and sumptuous costumes." On Metacritic, the second season holds a score of 87 out of 100, based on 27 critics, retaining the first season's indication of "universal acclaim".

Foy and Smith both earned significant praise from critics. Chancellor Agard of Entertainment Weekly wrote "As always, Claire Foy turns in an amazingly restrained performance." Gabriel Tate of The Daily Telegraph wrote "Matt Smith, too, has seldom been better. If the scripts do them justice, we could be in for another memorable series." Hugo Rifkind of The Times said "While ardent monarchists might bristle at the way this is going, for the rest of us it's getting better and better."

Alison Keene of Collider said "Like its first season, each new episode makes its mark and tells its own complete story, all while staying linked to Elizabeth's journey as a monarch, mother, and wife. It's another exceptionally strong season of television, full of compelling drama and sweeping grandeur." Krutika Malikarjuna of TV Guide wrote "Season 2 is centered on why the public-at-large (especially those outside of Britain) still engage with the royals at all: celebrity and star power. The brilliance of this framing becomes clear as the show evolves into The Real Housewives of Buckingham." Sophie Gilbert wrote for The Atlantic "This personal, complex portrayal of a monarch who by her own admission in the show would rather be living any other life is riveting enough. But The Crown is also a history lesson, as my colleague David Sims has put it, albeit a selective one. It's gorgeously shot, with flawless re-creations of everything from the Throne Room in Buckingham Palace to a 1950s hospital ward. And it's surprisingly funny."

The Wall Street Journal critic John Anderson said "The Crown attains genuine sexiness without sex. Margaret, à la Ms. Kirby's interpretation, smolders, as does Elizabeth, at least on occasion." Meghan O'Keefe of Decider wrote "Season Two of The Crown continues to romanticize the British royal family, but the romance comes from how they're normal, not divine."

Less complimentary reviews saw the season criticized for what some regarded as failing to meet the emotional intensity of the first. John Doyle wrote for Globe and Mail "Yes, it is still so lavishly made that it is breathtaking. But The Crown now leans toward a three-hanky weeper about marriage. It is less than it was, like the monarchy itself, and of interest to monarchy fans only." Alan Sepinwall of Uproxx added "Many of the season's wounds are self-inflicted, in particular Morgan's mystifying fascination with Prince Philip, who despite Matt Smith's best efforts still comes across as a whiny man-child." Phil Owen of The Wrap described the season as "trashy" and saw dry comedy in Northam's portrayal of Prime Minister Anthony Eden: "I'm assuming that creator Peter Morgan meant for it to be comedy. There's really no other explanation for why Jeremy Northam played Prime Minister Anthony Eden like he's having a nervous breakdown in every scene."

The Royal family

Adam Helliker from the Daily Express reported in May 2017 that Queen Elizabeth II and her third son Prince Edward and his wife Sophie had watched the first season together. Other royal family members who were fans of the first season included the Queen's granddaughters Princess Eugenie, Zara Tindall and her husband Mike Tindall. While the Queen was reported to have enjoyed the series, she found some depictions of events to be "too heavily dramatised".

Accolades

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See also

• British Royal Family
• The Crown

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References

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External links

• The Crown on IMDb
• The Crown on Netflix
• The Crown at Rotten Tomatoes
• The Crown at Metacritic

Source of article : Wikipedia